Wagner

In Need of a Mortgage Broker in Wagner, Pennsylvania

Below are some Mortgage Brokers that service customers in Wagner, Pennsylvania that you may wish to consider.

Related Businesses

  • MoneyLine Lending
  • Total: 5    Avg: (4.2)
  • 3913 Market St, Camp Hill, PA 17011, USA
  • (717) 763-5626,

Our Wagner, Pennsylvania Mortgage Brokers are licensed professionals, and with each loan you’ll discover they have one common achievement in mind, finding you the best deal with superior customer service.  We are ready to answer your questions, explain loan options, and get you pre-qualified for a new Wagner, Pennsylvania mortgage.  So if you require a mortgage company in Wagner then please call us at the number above. We have actually worked very hard to build our reputation in Wagner, PA and we’re working even harder, not only to keep that good reputation, but to continuously try to improve it. We treat all of our clients with the utmost regard, no matter how complex the job in hand. When we complete your Wagner, Pennsylvania mortgage we want you to feel comfortable enough to leave us a 5-star evaluation and also to feel comfortable enough that you would recommend us to others. You can always depend on us for your Wagner, Pennsylvania mortgage needs, so we’re on standby waiting to hear from you whenever you need us.

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More About Wagner

 

Wilhelm Richard Wagner (/ˈvɑːɡnər/, German: [ˈʁɪçaɐ̯t ˈvaːɡnɐ] (listen);[1] 22 May 1813 – 13 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, “music dramas”). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk (“total work of art”), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen (The Ring of the Nibelung).